A Ventriloquist walks into a bar and orders a stiff drink.

The Bartender asks: will that be all?

The Dummy answers: Does it look like I can speak with this hand up my ass?

As Egypt syncs further into poverty and is overwhelmed by debt, new cities are being erected across the country and prisons fill with dissenting opinions. But who are these cities for and what desire or ambivalence do they inspire — and at what cost. Since it is currently not possible to safely speak about this: a ventriloquist, songs, and advertisements describe a seemingly bygone era of fascism.

Referencing Telefoni Bianchi films, a precursor to propaganda cinema under Mussolini, the legacy of building new capitals provides the material to express opinions and hope, through satire.